女人裸体做爰免费视频_精品亚洲一区二区三区在线观看_亚洲欧美在线观看_亚洲综合天堂av网站在线观看_亚洲中文字幕无码爆乳av

首頁HOME案例CASE關于ABOUT核心業務CORE上市包裝IPO分享SHARING聯系CONTACT

標志設計封面_武漢品牌設計公司分享標志設計封面、品牌vi設計理念

通過獨特的設計形式,良好的標志設計封面可以吸引眼球,從而贏得更多的合作機會,讓消費者口口相傳。一個成功的標志設計封面不僅能體現企業的意義,而且能夠成為企業的無形資產。


注:本文“標志設計封面”配圖為本公司設計作品


標志設計封面創作理念:

As well as describing her artistic style as colourful, Hannah says that her illustrations sit "somewhere between semi-realistic, and not." And her mediums can be said to straddle different worlds, too. Despite not being adverse to digital illustration, she greatly enjoys working with something tangible like inks, coloured pencils and pastels.

"When I illustrated with ink, you can't really undo what you've done," Hannah tells Creative Boom. "But with the way I work, coloured pencils are more flexible.

"I mainly use Faber-Castell Polychromos pencils and Derwent Coloursoft pencils, and I gravitated towards the former due to the selection of bright colours. I don't tend to layer up colour or draw with coloured pencils quite gently. I press quite hard into the paper with the pencils and go for a solid line, which you can't do with some brands of coloured pencils. Lately, I’ve been adding a bit of oil pastel and crayon into a few of my colour pencil drawings to add more texture to them."

? Hannah Lock

? Hannah Lock

Having honed her colourful approach at the Cambridge School of Art, Hannah has gone on to create illustrations for the likes of The New York Times, POLITICO, and Pellicle Magazine and scooping a commendation from the Stratford Literary Festival along the way. It's an already impressive career for an illustrator who's always known what she wanted to do.

"In high school, my art teacher just said, 'you should become an illustrator,' and I thought, 'Yes, I should become an illustrator'," she explains. "I haven't really deviated from that thought since apart from brief forays into writing and considering maybe I should study History or English instead."

Yet even as a constant drawer from a young age, it took a while for Hannah to realise that there was a precise, professional word for that job title. "I did a foundation year, after sixth form, and the idea of doing illustration at university and becoming an illustrator solidified."

Inspired by how other artists use colour, Hannah is fascinated with how David Hockney paints the "normally muted colours" of the Yorkshire landscape. According to her, he uses hues "in such a vibrant, visceral way [and] colours you wouldn't normally associate with it."

? Hannah Lock

? Hannah Lock

The children's picture books of Jiri Trnka also have a "soft, quiet vibrancy to them", which also appeals to Hannah, as does the fluidity of Jean Cocteau's pencil drawings, which became a big inspiration for her line work. Matisse's colours and pencil drawings also helped to inform her style.

However, one of Hannah's biggest artistic inspirations for paintings and illustrations is Moomin creator Tove Jansson. "I love her colour palettes, especially her murals and the original covers for the Moomin books. I also really like the work of illustrators Eveline Ness, Molly Mendoza, Matthew Forsythe and Stepan Zavrel. The list could be endless."

There's more to Hannah's inspiration than illustrators, though. "Artistic inspirations, for me, change daily," she says. "I have too many illustrators and artists I admire. I try to look within and beyond illustration for inspiration, as otherwise, I think you can become a bit burnt out by illustration."

? Hannah Lock

? Hannah Lock

When it comes to creating her illustrations, Hannah gathers all this myriad material, draws roughs in her sketchbook, and experiments with the odd collations of reference material. "I normally lay out a rough sketch with a light blue pencil, or I create a sketch with the colours I know I will be working with.

"I then tend to fill the outlines solidly and then work on layering the colour and the outline. I normally stick to Prussian blue for the outline and try to switch it up with different colours."

Hannah's eye for colour is unmistakable and unmissable, but how did she hone it? "One of the first things at university we did was a colour workshop with acrylic paints. I think that colour theory has also been permanently stamped in those students' heads since then, myself included," she reveals.

"I think it developed by looking at other illustrators' colour palettes and seeing what I liked. I remember seeing an interview with Eric Carle whilst I was at university. He talked about the painting Blue Horses and German Expressionism and realising that you could depict the world through colours other than those traditionally associated with the subject."

? Hannah Lock


注:本文“標志設計封面”配圖為本公司設計作品


標志設計封面價值:

廣州vi設計公司認為企業想要讓品牌設計更加成功,就不僅要做到重視標志設計封面,還要做好logo設計、vi設計、品牌設計所需各種要求,站在消費者的角度思考,做出真正適合企業的標志設計封面,成為消費者青睞的品牌。

Prev:vi設計完整_合肥品牌設計公司分享vi設
Next:商標設計素材_石家莊品牌設計公司分享商標
聲明:本文“標志設計封面_武漢品牌設計公司分享標志設計封面、品牌vi設計理念”信息內容來源于網絡,文章版權和文責屬于原作者,不代表本站立場。如圖文有侵權、虛假或錯誤信息,請您聯系我們,我們將立即刪除或更正。
相關新聞
做品牌直接找總監談
總監一對一免費咨詢與評估
相關案例
RELATED CASES
付小姐
張小姐

業務咨詢 付小姐

業務咨詢 張小姐

總監微信咨詢 付小姐

主站蜘蛛池模板: 无码人妻精品一区二区在线视频| 狠狠色噜噜狠狠亚洲av| 久久综合亚洲色hezyo国产| 亚洲av无码1区2区久久| 亚洲av电影天堂男人的天堂| 无码少妇精品一区二区免费动态| 中文字幕在线观看| 亚洲中文字幕成人无码| 男男19禁啪啪无遮挡免费| 精品国产精品三级精品av网址| 久久精品成人一区二区三区| 欧美日韩精品乱国产| 猫咪av成人永久网站在线观看| 999久久久国产精品消防器材 | 久久天天躁狠狠躁夜夜躁2014| 欧洲人免费视频网站在线| 免费又黄又爽又猛的毛片| 中文无码一区二区不卡αv| 在线中文字幕乱码英文字幕正常| 少妇的肉体aa片免费| 日本无遮挡边做边爱边摸| 怡红院a∨人人爰人人爽| 精品国产污污免费网站| 婷婷丁香五月六月综合激情啪| 男人把女人桶到爽免费应用| 国产成人精品亚洲777| 99久久精品免费看国产一区二区三区 | 国产精品视频免费播放| 成人免费av片在线观看| 国产绳艺sm调教室论坛| 99蜜桃臀久久久欧美精品网站| 亚洲男同gay在线观看| 国产无遮挡又黄又爽在线视频| 国产欧美精品一区二区三区| 国产精品福利自产拍在线观看| 欧美国产日韩a在线视频| 色香阁综合无码国产在线| 国产精品玖玖玖在线| 性夜影院爽黄e爽| 国产乱人伦偷精品视频麻豆| 亚洲成av人片在线观看天堂无码|